Fallen in love at first sight? Why not subscribe? That’s a whole year of goooood content, freshly released.


General submissions are currently closed. We open submissions quarterly, so keep an eye out or sign up to our newsletter.


The Suburban Review accepts previously unpublished work. We allow simultaneous submissions. If it’s been accepted elsewhere just let us know through Submittable or email us at submissions@theusburbanreview.com with “Withdrawing submission” as your subject line. We only allow one submission per person (that means you need to choose if you want to submit fiction, non-fiction, poetry, comics, or art). To submit multiple poems (that’s a maximum of 3 poems), make sure they are in a single document.



2000-2500 words—no more than that! (payment $275)
1000-2000 words (payment $200) 500-1000 words (payment $150)


2000-2500 words—no more than that! (payment $275)
1000-2000 words (payment $200)
500-1000 words (payment $150)


Suite of three poems—no more than that! (payment $275)
One poem over 30 lines (payment $175)
One poem under 30 lines (payment $125)


2 page comic B&W or Colour (payment $200)
1 page illustration B&W or Colour (payment $100)
1 page cover art (payment $300)



The Author grants to The Suburban Review Incorporated (Publisher: The Suburban Review) (and its successors and assigns) a non-exclusive, irrevocable and royalty-free licence to exploit the Work, including to publish the Work in the Publisher’s publication and for any related or ancillary purpose to promote or advertise The Suburban Review, for a period of 5 years from the date of this deed in hard copy print media, and in perpetuity in all other media, whether now known or subsequently invented, throughout the world in all languages without restriction (Licence).


The Author consents to the Publisher (and its successors and assigns):

1.      (a)  editing, changing, copying, adding to, taking from, adapting and/or translating the Work, in any manner or context, for any purpose, notwithstanding such activity may amount to derogatory treatment under the Copyright Act 1968 (Cth); and

2.      (b)  reproducing the name, image and likeness of the Author in connection with the Licence.


The Publisher acknowledges that the Author retains the non-exclusive right to publish or otherwise use and exploit the Work in any manner or context, for any purpose and in any media whether now known or subsequently invented.


The Author covenants and warrants with and to the Publisher that:

(c) the Author is the sole author of the Work;
(d) the Author is legally entitled to enter into this deed and to grant the Licence; and
(e) to the best of the knowledge and belief of the Author, no part of the Work is defamatory, in contempt of any court or parliament and no part of the Work is an invasion of privacy or a breach of confidence of any person.


(f) The Author acknowledges that nothing in this deed obliges the Publisher to publish or exploit the Work in any manner or at all.

7.      (g)  This deed constitutes the entire agreement between the parties regarding the matters set out in it and may only be varied by a later written document executed by the parties.

8.      (h)  The laws applicable in New South Wales govern this deed and the parties submit to the non- exclusive jurisdiction of the courts of New South Wales and any courts competent to hear appeals from those courts.

EXECUTED as a deed.


Cover of The Suburban Review #34 MEETCUTE against a greyscale background of clothes piled on the floor of a laundry. Cover image is a digitally drawn scene in a laundromat in tones of beige, yellow, brown, and orange. In the foreground of the image, a person with short dark brown hair and glasses is holding open the glass door of one of the washing machines. They are wearing a rust-coloured sweater and brown pants. Their full laundry basket sits just below. Through the glass another person is visible—they have longer brown hair and bangs, and are wearing a mustard sweater and dark blue skirt. They’re sitting, holding an open book and looking into the distance, with a pensive expression on their face. In the background are more large washing machines in a line, all yellow in colour. At the top of the image, the laundromat’s beige walls and roof are visible. There is a feeling of slight tension, like the moment before something happens.
Image is a hand-drawn illustration of a person standing on a dark green background. They are wearing bright orange pants, a navy blue top with lilac crosses on it, green boots, and have a large crop of bouncy black hair that sits just above their shoulders, with a light green bow on the left side. They are wearing bright blush and blue eyeshadow. The person is blowing into a light green horn – that’s long and looped over, swirling in a surreal way. Colourful abstract shapes are pouring out of the end of the horn—in shades of pink, lilac, orange, navy, yellow, orange, and peach. The shapes float around the edges of the drawing; there is a feeling of playfulness and joy.
#32 Tenacity. 
An ink and digitally rendered illustration of labourers working around a machine in a factory surrounded by scaffolding, tools, tubing and wires. The people wear orange jumpsuits and gather to chat, climb ladders, hang from ropes, write notes, and work on machines. The image is dark,  mostly in a consistent moody blue colour, with light coming from an angle across the industrial site. The mood is one of inspiration. Over the cover readers the text, "The Suburban Review #32 Tenacity."
#31 Subscribe.
A cover artwork by Maddison Henriks. Image is a black and white illustration on a pastel sage green background. In the bottom half of the image, three feminine figures appear in black and white. They are surrounded by a fluid, squiggle-like border broken up by star shapes. Each face is different—one has her hair tied up in a ponytail, with a long fringe pinned back on each side, 90s style. They are facing the right side, looking pensive. Below and to the left, the second face has free flowing wavy hair with curtain bangs, freckles on their face, and their mouth is slightly open. They are facing the left but their eyes are glancing to the right, as if curious about something. The final figure in the bottom right corner has their eyes shut and face scrunched, with their tongue poking upwards out of their mouth. Their expression is cheeky or rebellious. Behind the drawings of the three faces, pixelated paper aeroplanes cover the background of the image, all positioned at different angles.