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  • ABOUT
    • Contact
    • Opportunities
    • FAQ
    • Join TSR Inc
  • SUBMIT
  • READ
    • New Media
    • Q&A
  • SHOP
    • All
    • Bundles
  • SUBSCRIBE
    • Annual Membership
    • SupersTSR
    • Account
    • Member Downloads
  •  
The Suburban Review
  • ABOUT
    • Contact
    • Opportunities
    • FAQ
    • Join TSR Inc
  • SUBMIT
  • READ
    • New Media
    • Q&A
  • SHOP
    • All
    • Bundles
  • SUBSCRIBE
    • Annual Membership
    • SupersTSR
    • Account
    • Member Downloads
  •  

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TenYears
KAZKOM
ITCH
HANNAH JENKINS
TSR 28 LEAVEN
TSR WEEDS
#22: ORGANISE & MOBILISE AVAILABLE NOW!
The cover of The Suburban Review #24: UGLY is set against a white background with five painterly stripes in blues and sandy browns.
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Showing 1–12 of 29 results

  • White text reads Jumpstart a Journal - 3 to 20 July - Live online - Register now. The text is against a semi-transparent dark teal square background, which is over a photograph of car internals.

    Jumpstart a Journal 2023

    $110.00 – $175.00 Select options
  • The cover for The Suburban Review #29: ITCH against a washed green and brown closeup of the folds of a knitted sweater. Cover shows a graphic illustration with arms tangling together against a blank milky purple background. The arms are not attached to bodies: each stands alone with a hand at either end. One arm holds a knife and scissors at either end. Another arm holds loose hair with one hand - about to be cut by the first arm - and gropes another arm with the other hand. The third arm holds the hair spilling out from the second arm’s hand, and a tattoo gun in the other, about to infiltrate the first arm. Above the arms, there is The Suburban Review logo - a black square with text in the same colour, saying, 'The Suburban Review #29: ITCH'.

    The Suburban Review #29—ITCH

    $10.95 Add to cart
  • The Suburban Review Bundle—2022

    $39.95 Add to cart
  • The Suburban Review #28—LEAVEN

    $10.95 Add to cart
  • Cover for The Suburban Review #27 WEEDS

    The Suburban Review #27—WEEDS

    $10.95 Add to cart
  • The Hills Hoist Volume 2 cover is superimposed over a faded and pink-tinted photograph of gumtree leaves in sunlight. The cover of Hills Hoist Volume 2 shows an architectural-style photograph of a suburban two-storey apartment. The top third shows a blue sky with a wisp of cloud on the left-hand side. A low angle shot of the apartment takes up the lower two-thirds of the cover. There are four sections of angular shape and colour. The upper two sections are striped with weatherboard: a pale cream on the left and a pale sage on the right. The lower left half is an earthy yellow and the right half is a neutral concrete. The shadow of a tree with no leaves falls across the left side of the building, and some branches of the tree can be seen on the far left. In the upper centre of the image, contrasting against the blue sky, is a white The Suburban Review logo with the text HILLS HOIST VOL 2 in tan.

    Hills Hoist Volume 2

    $4.95 Add to cart
  • The Suburban Review #26—REVEL

    $10.95 Add to cart
  • Cover for The Suburban Review #25: JUICE

    The Suburban Review #25—JUICE

    $10.95 Add to cart
  • Sale!

    The Suburban Review Bundle—2021

    $39.95 $19.95 Add to cart
  • The cover of The Suburban Review #24: UGLY is set against a white background with five painterly stripes in blues and sandy browns.

    The Suburban Review #24—UGLY

    $10.95 Add to cart
  • The cover for The Suburban Review 23 PUNCTURE sits in the middle of the image. It's on a background of watercolour-style patterns in yellow, orange and red.

    The Suburban Review #23—PUNCTURE

    $10.95 Add to cart
  • The cover for The Suburban Review #22 Organise and Mobilise is central on a white background. Around is are bright, colourful visual elements from the cover design by Nicky Minus.

    The Suburban Review #22—ORGANISE AND MOBILISE

    $10.95 Add to cart
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The Suburban Review is a quarterly digital journal of short fiction, creative non-fiction, poetry and art. We’re interested in publishing the work of writers from all over Australia and the world.  

ACKNOWLDGEMENT OF COUNTRY

We acknowledge the Aboriginal and Torres Strait Islander peoples of this nation. We acknowledge the Wurundjeri and Boonwurrung peoples of the Kulin Nation, the Gadigal people of the Eora Nation, the Awabakal, Worimi, and Kaurna Peoples, and the Tasmanian Aboriginal communities of lutruwita, the traditional and ongoing custodians of the lands on which we produce and publish.

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