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UGLY
#22: ORGANISE & MOBILISE AVAILABLE NOW!
The cover of The Suburban Review #24: UGLY is set against a white background with five painterly stripes in blues and sandy browns.
#24: UGLY AVAILABLE NOW!
Q&A with Lily Cameron
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Q&A with Lily Cameron
Q&A with Erica Louise
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Q&A with Erica Louise
Q&A with Em Readman
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Q&A with Em Readman
Product 1
A yellow background, with the covers of #6, #7, #8 of The Suburban Review laid out on partly overlapping each other, an arrow in the top right corner reads "10% off"
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PUNCTURE
#22: ORGANISE & MOBILISE AVAILABLE NOW!
The cover for The Suburban Review 23 PUNCTURE sits in the middle of the image. It's on a background of watercolour-style patterns in yellow, orange and red.
#23: PUNCTURE AVAILABLE NOW!
ORGANISE AND MOBILISE
#22: ORGANISE & MOBILISE AVAILABLE NOW!
The cover for The Suburban Review #22 Organise and Mobilise is central on a white background. Around is are bright, colourful visual elements from the cover design by Nicky Minus.
#22: ORGANISE & MOBILISE AVAILABLE!
SALT
The Suburban Review’s front cover is positioned in the centre of this image. It’s a pale pink rectangle. The magazine’s logo, theme and issue number are in a dark teal font. This sits in the top third of the rectangle. Below this is an illustration of a gender-nonspecific figure sitting beside a hole in the ground. They have a dark complexion with a white mullet pushed behind slightly pointed ears. They have flapping bats tattooed on their right arm. Their right hand is curled around a staff-like branch. A repurposed radio antenna sprouts out of the top of this. A small brown bird is perched on top of this antenna. The hole is encircled by brown rocks with grass poking out from cracks here and there. A green notebook, envelopes, pen and a smartphone are strewn across the ground near the figure’s bare feet. A laptop is propped up on rocks at the opposite end of the hole. An unplugged set of headphones and cord are draped across the rock next to it. A serene mallard duck sits on the rock next to the laptop, gazing across at the figure. Three twisting speech bubbles rise out of the hole, drifting towards the top of the image like clouds. This overlays a background featuring geometric cut-outs of cliff faces. These rugged cliffs are a bright saturated orange with sparse green trees dotted across them. These collaged cliff images circle around a stark white backdrop in the image.
#21 SALT: AVAILABLE NOW!
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